Tag: Dominic Deegan
Star Power is a three-day a week comic written by the author of Dominic Deegan, Michael “Mookie” Terracciano, and drawn by Garth Graham, whose other work I don’t know but is an excellent artist.
Star Power is about a super hero in a science fiction setting, which is neat in and off itself. But that is not why I am recommending it to you. I’m recommending it to you because of the latest page, which is sadly a spoiler to most of the action of Chapter 2. So I recommend starting from the beginning, but if you need more proof, click here for Star Power: Vol 1 – Chapter 2 – Page 20: Right Call. I’ll warn you it likely doesn’t have the same emotional impact.
Aside from that, the comic has a baseline of aspects that just make it likeable, including varied characters of obvious depth, good levels of humor and drama. If I have one complaint it is how slow the story moves, even with a three-day a week schedule.
For those of you who have been paying attention, there is a list of useful links below. For those of you who haven’t, stay awhile and listen.
Actions being taken by the United State government will begin to fundamentally change the internet. Please read or watch the following to understand what is happening and if you want to take action about it.
[spoiler show=”For those of you who would like my words on the subject. Click here.”]The United States created the Internet. Despite fancy names like “World Wide Web” and “Global Communication System” and “Series of Tubes”, the internet is not managed by the world. It is managed by corporations on the united states and is subject, for the most part, to US Law. Even more so these days since a majority of the people connect to the internet via their local telecommunication company (phone, cable, satellite, etc).
That being said the internet has been pretty untamed for the last few years. Anybody could put or post up anything. Your information was only as secure as how well your protected it. It was effectively the digital wild west. Now, however, the internet is in so many homes, has become the focus of so much economic use (online shopping, movie and song streaming, video games, marketing) that this can’t last. Just like the trains that brought big business to the west, killing off the last place where your only real protection was the gun at your side, progress is going to try to tame the internet for the good of all, to the detriment of the few.
This is more or less inevitable. The new internet that will come into place will be highly regulated and likely more forcefully controlled by the big economic interests that want to use it to provide services to the world for money. When they do, innovation will become exceptionally difficult. Websites such as Facebook, Twitter, Tumblr, and the like, will still exist, but their successors likely won’t appear. Blogs, chat rooms, social networks, bulletin boards/forums system, may or may not survive in this new internet. Words like “National Defense”, “Anti-Piracy”, “Copyright”, and others will be used to tightly regulate any site that tries to provide the public with ability to communicate and share.
Effectively the basis for the internet as we know it, sharing and communicating, will come to an end at the hands of capitalism and censorship.
The first steps for this have already begun. The United States government has two acts currently being discussed. The PROTECT IP act (PIPA) and the Stop Online Piracy Act (SOPA). Both have been getting a lot of news. As of right now, both look to be dying heavily under media massive campaigns set forth by various websites and organizations, despite the money being thrown at it by media and telecom corporations. The best example is today, February 18th, 2012, where websites all over the internet are “Blacking out” or putting up protest notices. You can read up more about what these acts do in the links below, but to summarize the acts allow and empower the US government to try to block or remove internet services (primarily websites) that infringe on copyright, without significant due process.
Now I am not a proponent of piracy. I make a living off of software development and I hope to some day make a living as an author. These are both areas that have notably high piracy rates, which concerns me. I would like to be compensated for my effort and work but I also feel that censoring the internet is not the answer. So for now, I protest.[/spoiler]
[spoiler show=”For those of you who like videos. Click Here.”]
- Wikipedia: SOPA
- Wikipedia: PIPA
- Blog.Reddit: A technical examination of SOPA and PROTECT IP
- TerribleMinds: Why SOPA and PIPA and other anti-piracy bullshit measures matter to writers
- TEDTalks: Defend our freedom to share (or why SOPA is a bad idea)
- (Wil Wheaton) WWdN: In Exile: Today the US Senate is considering legislation that would destroy the free and open Internet
- (The Bloggess) The Bloggess: Me and Vader, fighting together. Weird.
- Google.com (Protest Page)
- PATV: Season 3, Ep. 24a – Stand Together: The Gaming Community vs SOPA and PIPA
- Girls With Slingshots
- Abstruse Goose
- Kawaii Not
- Something Positive
- Dominic Deegan
And many, many more, including you, hopefully.
Last time I discussed the Marvel comics that started how I became a comic book consumer as an adult. I also made mention of Brian K. Vaughn, writer of a comic called Runaways. Like Warren Ellis, Craig Kyle, Masashi Kishimoto,Phil Foglio & Kaja Foglio, and Shirow Masamune, Brian K. Vaughn led me into other comics that would soon have a permanent position on my book shelves.
It was through Brian and a few friends of mine that I discovered Y: The Last Man and it quickly became one of my favorite comics next to Elfquest, Girl Genius, and Transmetropolitan. It focused on, literally, the last man on earth and the subsequent apocalypse society. It sounds like a cheesy b-movie plot or perhaps the start of a really bad porno but it instead molds itself into an epic story of survival. If you need proof, Y: The Last Man was nominated for a Hugo award and won an Eisner award.
In the comic we follow the story of Yorick who manages to survive a mysterious event that simultaneously kills off every other mammal possessing the Y chromosome on the planet, save for him Capuchin monkey, named Ampersand. We follow him and his friends and enemies, as people come to gripes with such a staggering event. Lasting sixty issues, the ending is something I wish I could get everyone to read.
Brian K. Vaughn then led me to Ex Machina, a currently on going story by him focusing on a retired superhero known as The Great Machine who wins the election to become the mayor of New York City in the wake of 9/11. The story explores his term in office as well as gives flashbacks to his life as a super hero and how the two bleed together, creating yet another compelling, and rather adult, drama.
By this point I was very much into reading comics again. I used the names of writers and artists I had collected through the years and began making lists of comics, using Wikipedia and Amazon to piece together what graphic novels I needed to complete story arches. Now, at least, I could read comics without worrying about missing issues! as long as I was willing to spend the money and/or hunt through good used book stores.
This actually catches us up to more or less modern days. I’m still reading comics, obviously. Here are some examples.
I still collect Masashi Kisimoto’s Naruto and a regular subscription to the American version of Shonen Jump keeps my interest in various other mangas such as One Piece, Dragon Ball, and Bleach. Shirow Masamune has made sure that I am always on the look out for some kind of Ghost in the Shell product, comics preferred but anime and books, I’ll gobble up. One of the current manga series I would like to read is called Bakuman, focusing on one teenager’s attempt to become a manga writer, and another is Hikaru no go, focusing on another teenager’s slow mastery of the Japanese game Go.
Craig Kyle and the Marvel Messiah Complex/Second Coming story-lines have kept me collecting X-Men graphic novels as they came out and introduced me to the re-start of X-Factor (Vol.3 ), which has quickly become my favorite X-Men title with its awesome writing of the character Jamie Madrox/Multiple Man and the introduction of the character Layla Miller (she knows stuff, be careful). There is also an ongoing X-23 series being published that I’m eagerly waiting to be collected into graphic novels.
I, of course, never stopped reading web comics. They’re the cheapest and most accessible of all the comics I love to read, plus I can easily share them among my friends and readers. Here is a small list of some of the best comics you can find online in no particular order.
Girl Genius, Scholock Mercenary, Gunnerkrigg Court, Templar, Arizona, Goblins, Guilded Age, Yet Another Fantasy Gamer Comic, Weregeek, Scenes From A Multiverse, Order of the Stick, Erfworld, Dominic Deegan, Something Positive, Evil Diva, Powerpuff Girls Doujinshi, Darwin Carmichael is Going to Hell, El Goonish Shive, Demonology 101, The Adventures of Superhero Girl, Freakangles, Bob and George: The Comic Strip, 8-Bit Theater, and many more.
So looking over it all, I guess you could say I’ve always been a comic book consumer. My initial entry into comics was due to overlaps between the comic industry and other media, and while I’ve taken hiatus, the adoption of collecting comics into graphic novels proved to be exactly what I needed to sustain a comic habit. Combine that with excellent writing, varying genres, and stories for all age groups, and I will likely be a comic reader for the rest of my life.
The future of comics, like almost all forms of entertainment, will be undergoing changes in the digital age. Right now it seems to be trying to re-invent the old model, renting individual comics for prices only slightly less of their print versions for different reading platforms. One or two have adapted a subscription model. Both still DRM their content to make it inaccessible by means other than approved, and usually constrictive, methods. And there are still online comics, the particularly popular ones effectively earning their creators a living through donations, merchandising, and advertising. It’ll be interesting to see where this heads but unlike the music or movie industry, I suspect comics will fare better overall.
So I hope you enjoyed this article and found something in it you liked. Keep subscribed to this feed or keeping checking back now and again, as more articles of this type will appear, sooner or later.